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Special Effects: Redesigned and created animatronic rhinocerous
for pre-title sequence.
In the final days of shooting, an urgent call went out Buechler to create
an animatronic snake for the opening sequence of the movie. As it turned
out, a rental snake became available and a new one would not have to be
made. Steven Spielberg then showed John Buechler another project which needed
attention, a massive foam and fiberglass rhinocerous prop had been created
by the British special effects crew for an important sequence with young
Indy. Spielberg wanted the rhino to move! A sequence would be shot in less
than three days, where the director wanted to see this rhino snarl, snort,
and blink it's eyes. Buechler took on the challenge. The huge prop was delivered
to Buechler's North Hollywood studio from the stage at Universal. Buechler
and his crew set to work re-inventing the rhino. Over the course of three
days, Buechler and company resculpted, re-cast, and mechanized the beast
to such a degree, that not only did the rhino blink, snarl, and snort as
Spielberg wanted, but it also wiggled it's ears! So happy with the final
creature was the director that he allowed Buechler to call "action"
and "cut" on the final shot of the movie. They clinked champaigne
glasses together and toasted the end of the picture.